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This blog contains book reviews, comments on interesting things and a smattering of self promotion. Enjoy.


Showing posts with label music.. Show all posts
Showing posts with label music.. Show all posts

Thursday, 27 May 2010

What happens when a rolling stone looses momentum?

I've been meaning to write this post for a while now, so apologies if the details are a little sketchy. Hopefully Google will help me fill them in.

A few weeks ago, in an attempt to keep up with the election, I was reading the Guardian. I found an article about a Burmese musician who fuses traditional Burmese music with hip hop. He uses music as a way of protesting against the military government in Burma, to the extent that nine out of twelve songs on his most recent album were banned, including one where the only lyrics translate as 'Hey, how are you?'

I wish him the best of luck, but neither he nor the plight of the Burmese people are the main purpose of this post. The musician, Thxa Soe, came into contact with hip hop while studying in Britain. He chose hip hop because 'there's not much freedom in rock'. This statement surprised me. I had always thought of rock as one of the freesest forms of music. I mean, nothing says freedom like the opening riff of Hendrix's version of All Along the Watchtower, does it? Then I started to wonder, has rock music perhaps gone stale?

When rock started in the late sixties and early seventies it was an explosion of new sounds. As it started to get more pompous and 'prog', there was freedom for the artists to experiment, even if it was at the expense of listenable records. Meanwhile, less experimental rock bands started slip into their own cliches.

The rule book has been re-written a few times since, with movements like punk and britpop, but again once something works well it becomes a formula. A few years ago indie rock and pop looked like it was going to start a new revolution, but what we ended up with was a ream of Libertines and Franz Ferdinand soundalikes. And now, commercial pop looks set to reign supreme again, albeit with a newly indiefied aesthetic.

On the other hand, there are, and always have been a few stand out bands out there doing something different. In the 80s we had the Cure and the Smiths. Now try this, or this. In all honesty, I think all types of music have both great innovators and stale cliches. In hip hop, how many 'bitches and hoes' types are there to every thing like this?

Incidentally, I've been listening to a lot of American alternative stuff in the past few years. Which includes a good deal of folky stuff.

Sunday, 7 March 2010

Banjo man

Today as I got to work, there was a man sitting on a wall in the car park playing the banjo. I don't know who he was or where he came from, but he was a youngish man, and didn't look homeless, and he certainly wasn't a busker. Our carpark is not a public throughway, and there really is no reason for any one to go through it other than to get to the back entrance of the odeon. People don't even walk past it close enough to have noticed the banjo player. He was, as a friend of mine pointed out, playing only for the music itself.

Personally I think there is something really special in that. As I passed the man, we exchanged a glance and a nod. That was my way of saying 'I like hearing you play the banjo as I get to work on this sunny, start-of-spring day'. It put me in a good mood for my shift, which is also helpful. About fifteen minutes into my shift, the next time someone had to go to the car park, he was gone. I wouldn't be surprised if the managment had moved him along. I'm not even sure I'd blame them for doing so, it's part of their job to keep an eye on things like that after all.

Personally though, I would have been tempted to employ him to play there everyday.